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Thursday, July 31, 2008
Rorschach does San Diego
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Claytor interview & signing Friday
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Following is an interview that Las Vegas CityLife journalist Jarret Keene did with Ryan Claytor, creator / cartoonist of And Then One Day (reprinted here with permission). And for those of you reading this who haven't seen my post on Ryan and And Then One Day yesterday (the entry below this entry), Ryan will be signing And Then One Day at my store tomorrow from 4-6pm and entertaining all who show up with stories about the big wacky San Diego convention and comic stores across the U.S. that he's signed at over the years.
Matters of perspective
Ryan Claytor puts new spin on autobiographical comics
by JARRET KEENE
LAST weekend, Ryan Claytor attended Comic-Con International in San Diego, along with hundreds of other international comic-book creators. But Claytor wasn't there to promote his latest work-for-hire stint on a major property character like, say, Captain America, X-Men or Batman. Rather, he was there to represent his own unique series of autobiographical comics, including the beautifully designed And Then One Day #6 -- The Autobiographical Documentary. In other words, in a sea of commercial sci-fi enterprises, there was this unassuming guy at a table, hawking comics about his life.
"I can't relate all that well to imaginative space travel," Claytor admits during a recent interview. "But I can relate to everyday life, ordinary people and the quest for understanding ourselves as individuals and a society. That's one of the things that keeps me coming back to autobiography as my genre of choice."
For Claytor, another exciting aspect of autobiography in comics is it's a nascent, largely unexplored art form. Many folks, even comics enthusiasts, don't realize the first autobiographical comic appeared less than 40 years ago. This is a genre that still has living founders, which is rare you if consider the majority of art history textbooks.
"As an artist, the fact that there remains so much room for exploration also makes autobiographical comics an attractive genre to investigate," he says.
And Then One Day #6 definitely adds a new twist by rendering the perspectives of others. Claytor got his friends and family to agree to answer a series of recorded interviews in a room by themselves. They were asked questions about Claytor, who then transcribed the results into comic-book form. Sure, it's a lot of talking heads, but the way he captures a range of facial expressions -- confusion, hurt, boredom, grief-- is incredible (and not something one expects from an industry known for its grim-faced vigilantes). The process took a year and, not surprisingly, some of the responses caught him off guard.
"It was enlightening, and you should only undertake it with the thickest of skin," he confirms. "One interviewee in particular still apologizes to me every time the subject of my book is brought up. I have to reassure this person that a candid response is exactly the kind of answer I wanted. It makes the book read as authentic -- a little uncomfortable, a bit humorous -- and revealing so that the audience doesn't feel punches are pulled."
The most heart-wrenching moments in ATOD#6 are when Claytor's mom speaks emotionally and lovingly of her son. Claytor admits her responses were difficult to transcribe. Her tape was the last recording he listened to, because he knew it would be emotional to hear what she had to say.
Yet as affecting as certain moments are, others demonstrate how supportive the art-majoring graduate students of San Diego State University have been to Claytor, and to each other, in the last couple of years.
"There was a tight network of students from a variety of disciplines in my department," says Claytor. "I had no idea this would be the case going in. I think it's partially luck, because you never know who the other students will be, since everyone is applying concurrently. But I think an equal part is about being a proactive participant, interacting with students and faculty both inside and outside one's own emphasis."
Indeed, Claytor's comics, published by his own Elephant Eaters imprint, can often be academic-oriented. But he doesn't take offense at the suggestion his work might be better suited for a college classroom than a gathering of superhero-worshiping nerds at a comic convention. Having just launched a 10-state summer book-signing tour on the way to new digs in East Lansing, Mich., he is surveying the best comic shops in the country.
"Capes and tights are still every shop's bread and butter income," he observes. "But the best stores take time to nurture an independent, small-press section and sometimes even a 'local creator' section."
Claytor believes the industry is currently experiencing an unprecedented influx of thought-provoking books right now. Still, retailers wishing to promote small-press books walk the tightrope of providing interesting material, yet taking a gamble on whether or not there will be a large enough audience to support unusual books. For his part, Claytor says that, despite the personal nature of his work, he tries to make his comics accessible to as many people as possible.
"I hope my books strike a common chord with readers, enough so that they can relate to some of the situations, philosophies and sentiments expressed."
Wednesday, July 30, 2008
And Then One Day - signing!
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Wednesday, July 23, 2008
Tori Amos' Comic Book Tattoo
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Tuesday, July 22, 2008
San Diego Calling!
I need to review the panel programming, but off the top of my head I'm most excited to see Lynda Barry and tell her how awesome I thought her new book What It Is is and also showering praise upon Alex Robinson for his new excellent graphic novel Too Cool to be Forgotten. And Saturday is each day and that's often worth the whole trip straight up. I'm also looking forward to going to the Jack Kirby tribute panel on Sunday to represent with my Big Barda tattoo.
Sunday, July 20, 2008
The Dark Knight - no spoilers!
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Thursday, July 17, 2008
Too Cool to be Forgotten
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Too Cool to be Forgotten is about a middle aged guy who reluctantly goes to a hypnotist to try to quit smoking and ends up in his past - 1985 high school, with his middle aged memories of his life in 2010 and the events that led him to that point intact (but he looks like he did when he was in high school). He wonders if he were to change something he did the first time as a teenager, would that change things in the future (or his former present) for the better or worse?
Whom amongst us hasn't thought about what we would do if we could relive high school and what affect would making these changes do to us and people we now know (whom we may not know if things in the past were altered)? Alex Robinson perfectly examines what a person who finds himself thrust back into time would think about and or do and as if handling this premise with so much attention wasn't enough, Robinson then goes on to construct a powerful ending of which I'm not going to say anything about because it is better upon self discovery. Too Cool to be Forgotten is one of those rare books that doesn't make one wrong turn and upon finishing reading it you'll just want to share it with others and wonder why there aren't more great comics like this.
ZOT!
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Anyone who's read Understanding Comics, Reinventing Comics, and Making Comics knows what a master McCloud is of this medium and Zot! is a perfect example of a timeless, ageless comic that guys and gals will enjoy. Go to: www.harpercollins.com and enter Zot in their search field as they have several pages from the book that a person can read.
Wednesday, July 16, 2008
get REAL!
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Howard the Duck Omnibus!
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In addition to some of Steve Gerber's best writing, the Howard The Duck Omnibus features great art by Val Mayrik, Frank Brunner, John Buscemea, Gene Colan, and Steve Leialoha.
Tuesday, July 15, 2008
Dave Sim's Secret Invasion!
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So for whatever reason I was surfing around websites about Dave Sim yesterday and saw this piece that I'm sure someone commissioned because there's no way Sim would have done a drawing of this quality for free. I think it's a fun illo and shows what a great artist Dave Sim is. As Dave Sim signs on this cover, this piece is a homage to two comic art giants Steve Ditko and Barry Windsor Smith.
For more great Dave Sim art stay tuned for glamourpuss #2 which I believe comes out 7/30 (although there's a slight chance it may be out next week).
Thursday, July 10, 2008
Coraline - P. Craig Russell
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Coraline is a gorgeous hardcover 185 pages production by Dark Horse. Russell will be doing an adaptation of Gaiman's Sandman Dream Hunters later this year and Coraline will also be a movie later this year.
Wednesday, July 9, 2008
Hellboy II - no spoilers!
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I now actually feel like giving the Hellboy / BPRD comics / graphic novels another chance because while I've always liked the art within, the few stories I read didn't do anything for me (and I know too many people with discriminating taste that LOVE these books - and I sell a good amount of them!).
Monday, July 7, 2008
Shirley
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Shirley is a single manga volume with several short stories and is a good, solid introduction to Kaori Mori's work which evokes master anime master, Hayo Miyazaki films such as Whisper of the Heart and Kiki's Delivery Service (in her notes at the end of Shirley, Mori mentions Miyazaki as an influence - and it was her characters similarities as well as lush background to Miyazaki's work that first prompted me to pick up Emma).
Tuesday, July 1, 2008
Starbucks week 8
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